Elisabeth Grace Foley

Historical Fiction Author

Left-Hand Kelly is an awards nominee!

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Today I have some exciting news.

 

Left-Hand Kelly is a nominee for Best Independently-Published Western Novel in the Western Fictioneers‘ Peacemaker Awards!

This was my first time submitting anything to an awards competition, and I really didn’t know what my chances would be, so I was determined to keep my expectations down. I woke up yesterday morning, remembered that it was the day for the announcement of nominees, and couldn’t keep down a little thrill of excitement in spite of low expectations. I took myself firmly in hand. “You were not nominated,” I told myself. “Remember that. You were not nominated, so you will not be disappointed.”

But when I arrived at the website, there was Left-Hand Kelly on the list of nominees. At least, I think it was. I’m still getting used to the idea that this actually happened. All yesterday I had moments of unreality where I thought, “Did I really see that this morning, or am I the victim of an exceptionally vivid imagination?”

But yes, it did actually happen. You can read the official announcement and lists of all the nominees at the official site or here at the Western Fictioneers blog. The winners will be announced on June 1st.

A Tribute to Ron Scheer

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I was very sad to learn this week of the passing of Ron Scheer, Western author and blogger at Buddies in the Saddle, who had been battling cancer for the past year. Ron’s blog was one of those that I read most avidly from around the time I started this one, and his opinions on my own posts and writing were always valued. He was an enthusiast for all things Western, and early Western fiction in particular, and his detailed posts on the history of the genre and reviews of those early books eventually turned into a fascinating two-volume study, How the West Was Written (you can read my review of Volume I here). Ron was one of my biggest influences among present-day writers and blogging friends—his always-interesting posts and the ensuing discussions in the comments led me to fiction, nonfiction, movies, and the hundred different side trails that branched off from those discoveries. There are so many things about the West and Westerns that I might never have learned if it wasn’t for him.

Learning of his passing made me think a little about my grandfather, who passed away in 2009, two years before I published my first book. Grandpa always loved hearing about his grandchildren’s accomplishments, and he was also a reader, so I’ve often thought of how lovely it would have been to be able to show him my own published book. Somewhat in the same way, since Ron was kind enough to read my first book of Western short stories and spoke well of them, I would have liked to have been able to send him a full-length Western novel someday—a mature work, so to speak—and have been able to say, “Look how far I’ve come…and some of it was surely because of your influence and encouragement.” I wish I had had that chance.

Ron had Wanderlust Creek and Other Storiesin the currently-reading section of his blog sidebar at the time he stopped posting in February. I do hope he liked it.

My thoughts and prayers are with Ron’s family. He will be sadly missed.

Favorite TV Episode Blogathon: The Virginian, “Siege”

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When I heard about the Favorite TV Episode Blogathon being hosted by A Shroud of Thoughts, an event focusing on single episodes of classic television, it sounded to me like the perfect opportunity to write about an episode of my favorite TV Western, The Virginian, something I’d occasionally thought about doing before. The choice of episode was an easy one: an entry from the show’s second season, “Siege.”

“Siege” features a device often used by Western series when they wanted a change of scenery: sending one of the regular characters off on a journey, where adventure will most certainly befall. In this case it’s Trampas (Doug McClure), who, after striking it rich in an all-night poker game, decides to go back to the little town of Logan, New Mexico, where he spent some time several years before, to pay off the debts he left behind and visit some old friends. He’s particularly looking forward to seeing Carole (Elinor Donahue), a girl he once courted before her disapproving brother, banker Duke Logan (Philip Carey) ran him out of town—but finds that Carole is now happily married to the new town marshal, Brett Cole (Ron Hayes).

Now with no reason to stay longer, Trampas heads out of town to visit some former employers before going back to Medicine Bow—but his trip takes a darker turn when he finds the elderly couple have been robbed and murdered by marauding Comancheros. Tracking down and capturing the killers, he brings them back to Logan, where the authorities seem strangely reluctant to imprison or try the men.

The situation as explained by Duke, along with Trampas’ friend Charlie Sanchez, the amiable Mexican hotelkeeper (Nestor Paiva) is that the Comancheros essentially run a protection racket in Logan—they are allowed the run of the town so long as they mostly behave themselves, and the townspeople can’t lift a hand against them under threat of what the Comancheros would do if they did. Since the murders took place outside the town limits, the only way the killers can be tried is if Trampas stays to press charges. Comanchero leader Lopez (Joseph Campanella) wants his men released or else, and Duke, determined to pacify Lopez, puts all the pressure he can on Trampas to drop the charges and leave—persuading his sister Carole, whom he has convinced to share his views, to use her influence with Trampas to the same effect. But meanwhile, Trampas’ determination to see justice done is having its effect on Brett, who has slowly awakened to a sense of his duty as town marshal and is now also determined to back Trampas, much to his brother-in-law’s anger and his wife’s dismay.

Much as I like the usual episodes of The Virginian set around Medicine Bow and Shiloh Ranch, “Siege” is a favorite because of its engrossing plot—which, as it gradually builds to its suspenseful climax, becomes a clever variation on the High Noon-style stand for justice—and its overall high quality. The guest cast is excellent, and the script by Don Mullally is perhaps the best thing about it, filled with practical and moral conflicts for multiple characters and keen, layered dialogue that fits together like pieces of a puzzle. “Siege” has an almost cinematic feel; a self-contained story running an hour and a quarter (the running time of the show was 90 minutes with commercials, the first Western TV series of that length), it’s very like a compact Western movie. Whether as a standout entry in a good series, or a stand-alone Western for fans of the genre, it’s definitely worth watching.