I used to do top-ten movie lists every year as well as books, but fell out of the habit because I wasn’t watching enough new-to-me stuff each year to do a favorites list of any length. This year, however…well, we watched rather more TV than usual. So I have a list! I’m including TV as well as movies, because a good deal of what we watched was made-for-television in some form.
The Man From Snowy River (1982)
How in the world did it take me so long to see this movie? Still, it was nice to have something so good to discover at this point in time. I can’t remember the last time a movie impressed and moved me as much as this one. Just…wow. Great story, unbelievable scenery, beautiful music, the most incredible horsemanship I’ve ever seen on film…big thumbs-up.
Jeeves and Wooster, Seasons 1-2 (1990-91)
Bless you, Bertie and Co., for all the moments of hearty laughter you gave my family this year. I started watching the series when sick in bed way back in February, and then managed to coax the rest of the family into trying it when we were looking for something to watch later on during the summer—and once fairly into it, everybody loved it. (The scene at the Junior Ganymedes Club in the first episode of Season 2 had us practically rolling on the floor.)
I was initially slightly skeptical that any screen version could do justice to the books, but after a couple of episodes I was completely won over. There are still some finer shades of hilarity that don’t translate to the screen, but I don’t think anybody could manage a finer onscreen portrayal than this series does. Seasons 1 and 2 are definitely the best—we did watch most of Season 3, but it just wasn’t as strong or funny as the earlier ones (the Deverill Hall episode was the only real standout).
A Murder Is Announced (1985)
We watched through most of the made-for-television Marple adaptations starring Joan Hickson as Miss Marple this year, and the three-part A Murder is Announced is definitely the pick of the lot. Near-perfect adaptation, great casting and performances, and I think a slightly brisker pace than some of the others in this series (and of course you’ve got to love the period costumes and English village scenery!).
Boots Malone (1952)
A lesser-known but entertaining horse-racing movie in which a cynical and slightly shifty jockey’s agent gets mixed up with a runaway boy who wants to become a jockey. A fun story, different from the usual racing movie in that it doesn’t focus on a star horse, but on the crowd of stable hands, exercise riders, and other hangers-on behind the scenes at the track.
Blood on the Moon (1948)
A solid Western, with some nicely conflicting character motivation and an unusually authentic look and feel, particularly when it comes to the men’s costumes. I’ve read that director Robert Wise studied period photographs for authenticity, and I believe it—see how they compare to Charles M. Russell illustrations, for example. (We will be charitable and not discuss the authenticity of the ladies’ costumes.) It’s based on a novel by Luke Short, and as I had read a couple of his books shortly before watching it, I was impressed by how the movie actually reflected the style of the author: a pretty rare quality in Hollywood Westerns.
Honorable Mentions: The Lady Vanishes (2013), Seabiscuit* (2003), Phar Lap (1983), Sleeping Murder (1987)
(*watched a version slightly edited for content)
I unpublished all my previous years’ movie lists during a spate of blog housekeeping, partly because the formatting of images and such got rather messed up when transferred from my old blog. I may restore them in a simplified form at some point; I don’t know yet—but if you’d like to see just the lists without commentary, they’re here on Letterboxd.